Showing posts with label Atlanta. Show all posts
Showing posts with label Atlanta. Show all posts

Thursday, July 26, 2012

National Puppet Slam #ATL

Beau Brown hosts The 2012 National Puppet Slam at the Center for Puppetry Arts in Atlanta Friday August 3rd at 8:00PM and Saturday, August 4th at 8PM.  For more information, call 404-873-3391 or visit puppet.org/perform/nationalpuppetslam


Experience the beauty, ingenuity, and hilarity of short-form puppet theater in this showcase of puppet slam acts from across the United States. Nominated by their respective slams, then curated by The Puppet Slam Network and the Center for Puppetry Arts, the nation’s best slam performances will be presented for two nights only!  
 
The lineup includes: Travis Lope #Auburn #NY,  Katie McClenahan #Portland #OR,  Gregg van Lanningham  #Atlanta, Therese Schorn #Ossining #NJ, Carla Rhodes #Brooklyn, Leila Ghaznavi #Philadelphia, Gwendolyn Bonar #Phoenix, Lyon Hill #Columbia #SC, Honey Goodenough #Brooklyn, and Spencer Lott #Kansas City 

Marsian: Why are you excited about the National Puppet Slam?
Beau Brown: I am excited to have so many talented slam artists all in place for the public to see. It was great doing it at the Nationals Festival last year for the puppeteer community and this year we get to share it with the public. I think that having it at a important puppet institution like the Center for Puppetry Arts is a wonderful way to continue to legitimize short form puppetry. People who would come and see adult programming at the Center might not go to a smaller local slam.

Marsian:  Why have a National Puppet Slam?
Beau Brown: I think it important to recognize excellence in our field. Right now UNIMA and PofA don’t really take much notice of short form and it is my hope that, as the tradition of the National Slam continues, acceptance into the show is considered an honor and something that the artists should feel extremely proud of. It is the Oscars of puppet slam! Also doing it at the Center gives these artists a chance to perform on the main stage of the Center for Puppetry Arts which without doing a full length show is not an opportunity that these artists might otherwise get.

Marsian: How do you see this selection showcasing where this movement going?
BB: I think that the lineup truly reflects the diversity in slam performances and puppetry styles. Just like the National Slam last year it shows that puppets slams aren’t just “naughty puppets”.

Marsian: It sounds like people are coming from all over the country...
BB: I have! It is so exciting to see members of the puppetry community making the trip. I am putting up some of them at my place and other members of the Atlanta puppet community have stepped forward to host some out of town guests.
Lets take a closer look at the performers...
 

Travis Lope #Auburn #NY
Travis Lope is a performer, puppet designer, and a costume designer and technician. Favorite credits include working with Dr. Cosby on Cosby, Lewis Black in Black Humor and Lorenzo Lamos in Dracula. Travis particularly enjoys building larger than life puppets. Ranging from dragon heads and dinosaurs to a 31-foot tall, cable controlled Giant for Ronald Dahl’s BFG. Travis’s work has been featured in commercials for the Connecticut State Lottery and Bob's Discount Furniture.  He recently finished graduate school at the University of Connecticut. The Enchanted Vanity Set has been performed in four different states.

Katie McClenahan #Portland #OR
Katie's love affair with puppets was sparked by a certain green, Balinese sea captain puppet named Captain Clamp. He and Katie were part of a roving pirate, puppet rock opera band consortium called Jollyship the Whiz-bang. After years of touring, Katie departed the high seas to find her land-lubbing ways were far more productive. Currently residing in Portland, Oregon, Katie runs Beady Little Eyes, a puppet event company that specializes in keeping adult short-form puppetry alive in the Pacific Northwest. 

Gregg van Lanningham #Atlanta
Gregg Van Laningham is a puppeteer who got his start in the world of puppet slams. He has written and performed dozens of shows over the course of the past two years, and currently works as a freelance puppeteer in Atlanta with a specialty in science education. Gregg often collaborates with his best friend and creative partner Qate Bean, and together the two of them have performed for audiences ranging from a 4-year-old's birthday party to a crowd of hundreds at Dragon*Con. Gregg earned a Ph.D. in Materials Science and Engineering from Georgia Tech.

Therese Schorn #Ossining #NJ
Therese Schorn is a NY based puppeteer, clown and designer. She most recently performed in Puppet Art Attacks. She also performed and taught at the 2011 International Yunlin Puppet Festival in Taiwan. She is a 23 year veteran of the Big Apple Circus Clown Care bringing puppetry music and clowning to hospitalized children. Shows include A Village of Fools (Theater for the New City) and Peaceable Kingdom ,a puppet and physical theater play with a cast of 2.4 children. She also constructs and performs with giant puppets for Nyack’s Halloween Parade.
Carla Rhodes #Brooklyn
Carla Rhodes has been practicing the art of ventriloquism since the age of 9, after seeing Shari Lewis and Lamb Chop on television and to her absolute delight, was later mentored by her hero. Throughout her teens, Carla performed all over her hometown of Louisville. She has been living and performing in New York City since 2004, at such legendary venues such as Joe's Pub. Recently, Carla performed a full-length rock'n'roll ventriloquism show, The Continuing Story of Carla Rhodes. Time Out New York proclaims the show “is an idiosyncratic neo-retro blend of ventriloquism, rock music and comic storytelling" and she “throws her voice like a curveball, bringing old-school ventriloquism skills to new-school puppets (including one of Keith Richards).”  

Leila Ghaznavi #Philadelphia
Leila Ghaznavi is an actor, puppeteer and playwright currently based in Philadelphia. She has been featured as an emerging artist at The National Puppetry Conference at The Eugene O'Neill Theater Center and her original multi-media puppet work, Silken Veils, received five stars and was nominated for best new work at the Edinburgh Fringe Festival. Silken Veils has been featured on the Leonard Lopate Show, BBC Persia, and Voice of America. Her featured work, Remembrances was presented at 2011 Puppetry Festival, UNIMA Day in NYC, and the Puppet Pandemic Slam in Philadelphia. Leila Ghaznavi has an M.F.A. from the California Institute of the Arts.

Gwendolyn Bonar #Phoenix
Gwen is a second generation puppeteer who started puppetry as soon as she was able to walk and talk. A professional puppeteer from the Great Arizona Puppet Theater, she has performed all around the state of Arizona as well as numerous guest performances at theaters around the country. She has also had the pleasure to perform internationally, including Kazahkstan this Fall. 
  

Lyon Hill #Columbia #SC
Lyon takes his inspiration from comics, animation, pop up books, view master reels, and other graphic arts. In his work, he combines these diverse mediums to create new hybrids.  Supine is a nightmare experienced by his wife. Small paper puppets are projected large scale to tell the surreal story of a woman being chased through a desolate city by a shadowy figure.
Honey Goodenough #Brooklyn
Honey Goodenough is a New York City based puppeteer, producer, costume designer, educator, clown, and magician. She earned her MA in Educational Theater from NYU. She has produced many puppetry related events including the premiere of Puppet Rampage (Puppeteers of America Festival Documentary film). Honey has co-curated Emerging Artist Theater's Laugh Out Loud: Clown and Puppetry Festival in 2009, the Voice 4 Vision Puppet Slams hosted at The Theater for the New City in 2011, as well as the UNIMA USA: Celebration of World Puppetry, hosted by Teatro Sea. She is a three-time recipient of the Puppet Slam Network grant to produce Puppet Pandemic, a showcase of puppetry works developed during The National Puppetry Conference at The Eugene O'Neill Theater Center, which supports the Alumni Scholarship, to help artists create more short form puppetry. Honey has been touring from Brooklyn to Brookline, Austin to Boston and throughout the Puppet Slam Network for the past four years. 

Spencer Lott is a freelance puppeteer. He develops and produces commercials and online video content as well as live stage productions. This summer his work was on display at the Springfield Art Association and his original puppet shows The Bicycle Brothers from Ohio and Bigfoot’s Magical Moped are now in development. Recently Spencer has performed in Puppet Slams in Kansas City, New York City and Chicago. After the National Puppet Slam, Spencer will return to Kansas City where he will act in Theatre Gym’s adaptation of The Miser by Moliere.

Tuesday, February 14, 2012

Geeking out on Puppet Slams with Beau Brown

In our latest Lives of the Slam Artists series, PSN interviews Beau Brown, curator of Atlanta’s Puckin’ Fuppet Show, The Puppet Slam at DragonCon and the National Puppet Slam

Beau has been involved in Puppet Slams for the past decade. The Puckin’ Fuppet Show is one of PSN's more prolific slams, clocking in at eight slams per year. Recently, Beau curated the very first National Puppet Slam, showcasing some of the best Slam pieces from the PSN, at the National Puppetry Festival. The next National Slam will be August 3rd – 5th , 2012 at the Center for Puppetry Arts.
photo courtesy of Beau Brown
Marsian: So, when did you start performing at Puppet Slams?

Beau Brown: My first puppet slam piece was when I fresh out of college and had just moved back to atlanta from Dallas in 2002. It was at the Puppet Slam at Dad’sGarage Theatre. It was called Beef and it was about a small army of steaks liberating some other steaks from a cow.

M: Sounds like a serious political piece... And what are some other Puppet Slams you have performed at? 
BB: We do some many slams here in Atlanta.  I have no idea how many I have done now. I have performed in Slams in Atlanta, Asheville, New York City, and New Jersey. I have had some of my videos and films screen in other cities. I suppose New York City is the furthest I have physically gone. I think the most rewarding was the first National Slam at the Puppet Festival last year. I have received such great feedback from both other puppeteers being inspired to start their own slams back in their cities because of it, and from the older generation of puppeteers who had never really understood what Puppet Slams were about, thinking it was just a bunch of cussing puppets with no real artistic merit. I think they got a better understanding of the short form puppetry format and that Slams aren’t just “Potpourris.”Just being able to bring together some of the most talented puppeteers out there and get them all on stage together was a real honor.    

M: Where did you get the idea to host Puppet Slams?
BB: Lucky Yates at Dad’s Garage Theatre in Atlanta started one of the oldest slams in the country [after Great Small Work's Spaghetti Dinners - running since 1985]. That and another show at that theatre called Late Night Creepy Horror, which was more of a variety show that was heavy on puppets.  I had never had any real formal puppetry training and sort of cut my chops at his shows for many years. It was a really supportive fun environment that focused more on comedy rather than “high puppet art.” That slam was four times a year and it really gave me a deadline and a reason to write shows.

It was at the slam that I created the piece that would later become my web series The Sci-Fi Janitors. About three years ago, Caroline Masclet started The Puckin’ Fuppet Show, which was a competitive slam with cash prizes.  After a few shows she moved to France and asked if anyone wanted to take over and keep the show going.  I volunteered.  At first I didn’t host the show.  I just organized it and had local actors, puppeteers, and stand up comics host it.  It was after hosting at the National Festival, where I had such a good time that I started hosting my own slam.  The Slam at Dad’s Garage was a sort of best of Atlanta’s puppeteers getting together to put on a show.  The Puckin’ Fuppet Show is much more like a loose open mic amateur hour type event where new people are encouraged to give it a shot.  Like I say at the show, “Atlanta has a lot of really incredible puppet art, this isn’t it” I usually have no idea what the show is even going to look like until about an hour before it starts and everybody who is going to perform has shown up. Which is really stressful and nerve wracking but I just try and remind myself that it always works out.

M: When do Puppet Slams go wrong? 
BB: I have been at some slams that have done a great job of pushing the envelope only to have been criticized for it. The idea of censoring a puppet slam goes against every bone in my body. No one ever got sued for doing a puppet show. That is a really unhealthy and unsupportive artistic environment and not what the Slam Network grant is for at all. I am very fortunate to be my own boss with my Slam and I don’t have to answer to anyone else with it. Some other slams are tied up in the politics of their local puppet community and don’t have the kind of freedom.   

M: Tell us about a fabulous failure and what you've learned from it.
BB: Never try and simulate the sound of someone’s pelvis cracking by breaking celery into a microphone. It won’t work.

M: The more you know! Now why are Puppet Slams important to you? What gap do they fill that is not filled by other forms of puppetry? 
BB: I feel like Slams fill a several important roles. It is great way to get your feet wet in the art form [of puppetry].  Other than doing full-length kid shows or doing videos online, there isn’t really another way to get started.  It is a way to try things out in front of audience and see what sticks.  For me it was crucial to have a deadline. I would love to be the kind of artist who is inspired to build puppets and write shows because it just came to me, but I’m not.  I have to sit down, usually with someone else and say, “Okay we need a show.”  The structure of the slams gives me the kick in the pants and I need to write something.  Since puppetry is the synthesis of all art forms (visual art, voice, and movement), it opens so many doors to so many different kinds of artists.  Puppetry allows us to tell any story we can imagine… ANY. The possibilities are truly endless. The only other art form that I think allows that is animation.  I would love to have the patience to do animation, but I don’t.  So puppetry allows me to tell those stories. However most of those stories aren’t an hour long.  So how else can I get them front of a live audience? Puppet Slam.   

M: Do you have any upcoming slams you plan on performing at or organizing?
 
BB: The 2012 National Puppet Slam is coming up August 3rd, 4th, and 5th at the Center for Puppetry Arts. All of the slams in the network will be nominating their best pieces. The Puckin’ Fuppet Show will continue to chug along with its eight or so slams per year. I plan on performing in the new Spork in Hand Puppet Slam in Columbia, SC, and I am going to try and make to the Wham Bam Puppet Slam in Asheville NC. Then there is the Puppetry Track at DragonCon, which is a beast unto itself. It will be like a mini puppet festival inside a 50,000-person convention. I am really excited about that.  


M: Where do you find the impetus to do a Puppet Slam piece? 

BB: A deadline, a song, a pun, a visual gag, half-awake/half-asleep thoughts, wanting to experiment with a new style.


M: Which Puppet Slam artists inspire you?
I really love Madison J. Cripps - we have a bromance. His process is so completely different than mine. He makes a puppet first and then writes the show around the character and I start with the story first and make the puppets from that.  I think I would really like to try start from a character place first.  I would also like to try my hand at marionettes, which I have never done.  I really love Honey Goodenough’s work. I would love to get some tears out of the audience sometime.  Dr. Gregg vanLanningham is an incredibly witty dialogue writer. I would love to write with him sometime. 

M: What pieces do you have in circulation to perform in puppet slams?
BB: The Moon is about the real transmissions from NASA’s first touch down on the moon. In Doris and the Orifices, Doris and her a cappella band cover Don’t Stop Believin. In A Man and his Gay Horse, a cowboy helps his faithful horse understand himself and they both learn about friendship.

M: I’ve seen that! It’s very Broke-back-I’m-not-sure-what… Anywho, what are you looking forward to?
BB: As a performer I really like traveling and performing at other slams and would like to do more of that. As a producer I really look forward to discovering new talent out there and giving artists opportunities to perform and get recognition.

M: Where would you like to see the Puppet Slam Network in the near future?
BB:
I would really love to see the tour show idea come together, but I can see why it is hard to get together. I defiantly want to continue with the National Puppet Slam. I think it is really awesome and important for the best of the Puppet Slam Network to get recognized and to put all of those people together in the same room.

M: What advice do you have for puppet slam performers just starting out?
BB: DO IT! Start a slam! Crash an open mic night with your puppets! Make videos! Keep throwing stuff at the wall till it sticks! Something will and it will be awesome!

Beau has a degree in Theatrical Design and works at the Center for Puppetry Arts. He has a taste for Buffalo wings, He-man, and comics. His dislikes include: throw pillows, listening to people chewing, and people using his birthday as an excuse to eat cake. 
  
As a puppet filmmaker, Beau created the web series, The Sci-Fi Janitors  and also collaborates with The New Puppet Order, which produces puppet shorts seen at several film festivals. Beau’s Puppet Slam at the DragonCon convention in Atlanta was such a success that the convention asked him to program the Puppetry Track, a full range of puppetry events including a slam at the 2012 convention. Stay tuned for details!






Saturday, February 11, 2012

Open Calls for Puppet Slam Acts - February 2012


PUPPET MELTDOWN #Chicago 
Submission Due: March 1st, 2012
(Performance: April 14th, 2012)


Greetings and salutations, puppeteers and puppet fans alike! Puppet Meltdown has been officially selected to host a puppet slam at C2E2 (that's the Chicago Comic and Entertainment Expo, for the uninitiated)!

So here's the deal: C2E2 is April 13th through 15th at McCormick Place in Chicago, and the slam itself will be held at 3:30 on Saturday, April 14th. So now we move on to the next step: CALL FOR SUBMISSIONS!

Anyone interested in performing at this amazing event contact us through the Sea Beast Puppetry website, www.seabeastpuppetry.com and we'll get you an application form ASAP. March 1st is the deadline for submissions, so get your puppets ready to rock, cause we're taking the comic and entertainment world by storm!!!


NATIONAL PUPPET SLAM  #Atlanta 
Submission Due: April 8th, 2012 
(Performances: August 3rd-5th, 2012)


ATTN Slam Curators: The 2012 National Puppet Slam is accepting nominations! 

The mission of the National Puppet Slam is to recognize excellence in the art of short form puppet theatre. The featured pieces were nominated by their respective slams and then curated by The Puppet Slam Network and the Center for Puppetry Arts. As the largest non-profit organization in the country dedicated to puppetry, the Center for Puppetry Arts is invested in supporting and showcasing the next generation of puppeteers. These performances showcase the beauty, ingenuity, and hilarity of Puppet Slams from all across the country.

The online Nomination Form can be found here: www.puppet.org/perform/nationalpuppetslam.shtml

STRUNG OUT PUPPET CABARET #Cincinnati 
Submission Due April 15th, 2012
(Performances: June 2nd & 3rd, 2012)


Mad Slams announces “Strung Out Puppet Cabaret,” a puppet slam debuting on June 2nd and 3rd at the Cincinnati Fringe Festival. We are looking for short form puppetry acts for adults that feature a great diversity of puppet forms: rod puppets, humanettes, shadows, toy theatre, marionettes, animated objects, puppets combined with performing arts, films etc. Interested? Please, upload a video of your piece and send a weblink to inniculescu@gmail.com

Requirements for performance:
1. no longer than 7 minutes
2. set up for your act must be completed in less than a minute

We will provide:
1. assistance with travel expenses
2. lodging for up to four nights
3. artist passes for the Cincinnati Fringe Festival
4. CD audio/projector and screen for films

Deadline:
April 15th 2012

Contact: Irina Niculescu inniculescu@gmail.com

PUNCH #NYC #BROOKLYN
Submission Due: Open
(Performances:  February 20th, 2012, June, Aug & Dec TBD)

We’re gearing up for PUNCH 2012 and WE WANT YOU!

Why do Punch? Well, it's where artists can:
- Try out new material.
- Schmooze and drink with other people who like puppets.
- Get feedback on a piece that needs some work.
- Try out that piece you did for class in front of people who aren't your classmates.
- Get an equal split of the door.
- Try out a piece or scene with puppets even though they've NEVER worked with puppets before in their lives.
- Show a short piece they’ve developed for Puppet Playlist, at the Puppet Lab or at the O’Neill Puppetry Conference to a whole new audience!!!!
- Get a guaranteed $40 at least (courtesy of PUNCH’s puppet slam network grant!)

Perhaps the question to ask is WHY WOULDN'T YOU DO PUNCH?!?
There are only FOUR live PUNCH shows in 2012, so please let us know if you’re interested in any of the upcoming events:

- February 20th = general PUNCH @ Jimmy’s 43 pub
- June TBD = PUNCH Wizard of Oz Kamikaze
- August TBD = general PUNCH @ outdoors at a community garden
- December = the 2nd annual PUNCH Kamikaze Christmas Carol
- We will also have TWO film nights (April & October), so let me know if you’ve got a short film that uses puppetry and maybe we’ll show it!

So, think about it. Get back to me. Pass this on to other artists (puppet or not) who you think might be interested.

Kick ass.
Gretchen Van Lente
curator, PUNCH / artistic director, Drama of Works
PUNCH@punchpuppetslam.com

If you would like to submit an open call for the Puppet Slam Network, please contact puppetslam@mac.com with the details.


Friday, February 10, 2012

February 2012 Puppet Slams

February 2012 Puppet Slams
Whether you have a broken heart to mend, or wear your heart (or puppet) on your sleeve, The Puppet Slam Network is your hook up for a February full of short-form puppetry for adults.  Bring your honey-bunny, go stag, or hide out and dodge Cupid's arrow at Puppet Slams in NYC, Brooklyn, Hartford, Providence, Atlanta, Minneapolis, Kansas City, Arcata, San Diego, or as far as Honolulu!


The Puckin’ Fuppet Show #ATL
Friday, February 10th at 11:00PM

The Basement Theatre
175 West Wieuca RD NE
Atlanta, GA 30342
(404) 277-3071
$10
The Puckin' Fuppet Show is Atlanta's premiere competitive Puppet Slam with cash prizes as voted for by the audience. Local favorites, new up and comers, and the occasional visiting artist give everything they've got for the coveted 1st place prize.


For the Love of Puppets Cabaret #MPLS
Saturday, February 11th at 10:00PM

In the Heart of the Beast Puppet and Mask theatre
1500 East Lake Street
Minneapolis MN 55407
(612) 721-2535
$10
Join In the Heart of the Beast Theatre as we celebrate our love for puppets!


Professor Willikers Puppet Slam #Arcata
Friday, February, 10th at 8:00PM
Saturday, February 11th at 8:00PM
Sunday, February, 12th 8:00PM
Arcata Playhouse
1251 9th Street
Arcata, CA 95521
(707) 822-1575
Professor Williers Grand Puppet Slam is in a cabaret setting with live music and featuring Sean’s Shadows, James Hildebrandt, Mark Dupre, The New Eccentrics (San Francisco), Independent Eye (Sebastopol) and your host, the Indestructable Puppet, Professor, LV Willikers.


Booze, Sex & Puppets #NYC
Tuesday, February 14th at 6:30PM

The Lesbian, Gay, Bisexual & Transgender Community Center
208 West 13th Street
New York, NY 10011
212-620-7310
Come share the love with an evening of strange creatures, burlesque and puppets taking it all off. Join Big Mama as she takes us through worlds of scary babies, naked sea creatures, puppet death and Barry White.

Puppet Pot Pie #Hartford
Thursday, February 16th at 6:00PM
Real Art Ways
56 Arbor Street
Hartford, CT 06106-1228
(860) 232-1006
$10 General / $6 Members
Puppet Pot Pie is the new, Hartford area puppet slam full of edgy, creative, short form adult puppetry with many different styles of puppetry performed by puppeteers from all over the Northeast!


Blood From a Turnip #Providence
Friday, February 17th at 10:00PM

95 Empire Performance Collective
95 Empire Street
Providence, RI 02903
(401) 831-9327
$7
Since the day Blood from a Turnip began in February of 1997, BfaT, as the salon is affectionately called, has offered professional puppeteers and those new to the art form an opportunity to present big stories, in miniature.


The Kolohe Puppetry Slam #Honolulu
Saturday, February 18th at 11:00PM
The Actors' Group
Dole Cannery Square, 650 Iwilei Rd. Suite 101
Honolulu, HI 96817
(808) 722-6941
$10 Donation
All acts welcome, dirty material encouraged.  Rotation of celebrity guest (impersonator) host.  Prizes awarded, although they might be pretty crappy prizes.  For more information email Kolohepuppet@gmail.com.


Adult Puppet Cabaret #SanDiego
Friday, February 24th at 7:00PM

Museum of Photographic Arts
1649 El Prado
San Diego, CA 92101
619-238-7559
$10
Original Puppet performances and live music in the beautiful Museum of Photographic Arts lobby followed by a screening of Handmade Puppet Dreams Vol. 3 in their on site movie theatre. A once a year Adult Puppet Cabaret special presentation



KC Puppet Slam #KansasCity
Friday, February 24th at 8:00PM
Saturday, February 25th at 8:00PM
Paul Mesner Puppet Studio
1006 E. Linwood Blvd

Kansas City, MO  
$11
Join us for an evening of quirky, edgy and oh-so-naughty adult-themed puppet pieces!


Das WunderKammer Puppet Kabarett #Brooklyn
Friday, February 24th at 9:00PM
Saturday, February 25th at 9:00PM
The ClockWorks – Puppet Theatre
196 Columbia Street
Brooklyn, NY 11231
(212) 614-0001
$15
Welcome to Das WunderKammer Puppet Kabarett! This month Our review will feature the works of the Dolly Wagglers! The work of The ClockWorks junior puppet master workshop, and a very special guest performer.



PUNCH #Brooklyn
Monday, February 20th at 8:00PM

Jimmy's no. 43 pub
http://jimmysno43.com/
43 East 7th Street
New York, NY 10009
(212) 982-3006
$5
PUNCH is back in 2012! And we're going back to Jimmy's 43 for an awesome night. One of the only general slams in the city, we'll have a variety of acts and puppet styles to share this President's Day!



Great Small Works Soiree #Brooklyn
Sunday, February 19th at 7:30 PM
Great Small Works studio
20 Jay Street, Room 214, DUMBO
Brooklyn, NY 11201
917-319-8104
Free
Soirees are work-sharing evenings in the Great Small Works studio. Bring your developing poem, puppet, monologue, song, somersault, dance, photograph, film, painting, political analysis. Or come to see what others are working on. Join us for a glass of wine.